Port de Bras with Écarté

Avanzado
Adagio
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À la Seconde Extension
Avanzado | Adagio

Extension Develope à la seconde

Advanced à la Seconde
Avanzado | Adagio

Advanced à la Seconde

Développé Activation
Avanzado | Adagio

Activación Développé

Arabesque Training
Avanzado | Adagio

Entrenamiento Arabesque

Cambré and Penchée extension
Avanzado | Adagio

Cambré and Penchée extension

Elongated Arabesque
Avanzado | Adagio

Elongated Arabesque

Arabesque Stability
Avanzado | Adagio

Arabesque Stability

Écarté enhancement
Avanzado | Adagio

Perfeccionamiento del Écarté

Glutes with Plank
Avanzado | Adagio

Glutes with Plank

Advanced Derrière Extension
Avanzado | Adagio

Advanced Derrière Extension

Sideways Bend with Adage Combination
Avanzado | Adagio

Flexión lateral con combinación de adagio

Renversé - Extension
Avanzado | Adagio

Extensión del Renversé

Grand Adage
Avanzado | Adagio

Grand Adage

Rond de Jambe - Extension
Avanzado | Adagio

Rond de Jambe - Extension

Attitude Renversé Penchée
Avanzado | Adagio

Attitud Renversé Penchée

Upper Body & Penchée
Avanzado | Adagio

Parte superior del cuerpo & Penchée

Power in Balance
Avanzado | Adagio

Power in Balance

Adagio – Extension 2
Avanzado | Adagio

Adagio – Extension 2

Adagio – Extension 3
Avanzado | Adagio

Adagio – Extension 3

Freedom in Adage
Avanzado | Adagio

Freedom in Adage

Lengthening the Adductors
Avanzado | Adagio

Lengthening the Adductors

Arabesque Recovery
Avanzado | Adagio

Arabesque Recovery

Música utilizada

Giselle (Le Silence) | Ballet Class App

Equipo Utilizado

Pelota de esferodinamia / Fitt Ball

Pelota de esferodinamia / Fitt Ball

Pared

Pared

This exercise is specifically designed for pre-professional and professional dancers to refine the artistry and functionality of their upper body movements. It focuses on developing the flexibility, strength, and stability of the muscles in the back, essential for executing a tension-free and expressive port de bras. Using a fit ball provides immediate feedback on hip alignment, aiding in the correction of postural imbalances.


Preparation:

Ensure the dancer's foot is placed on demi-pointe, pressing into the mat with the heel against the wall. The fit ball size should correspond to the length of the dancer's torso to facilitate proper engagement. The mat can be rolled underneath the wrists is more support is required.


Steps:

1. Begin by kneeling close to the wall, rolling over the fit ball to stabilise the supporting leg in rotation against the wall. Cue the students to keep the elbow on the supporting side relaxed and the shoulders oriented downwards and outwards for spine mobility.

2. Instruct the students to practise port de bras separately, focusing on activating the back muscles fully.

3. Once confident, have the students progress to including a full port de bras in retiré position, followed by a développé à la seconde with the full port de bras. Each section should be perfected before moving to the next, with deep breathing throughout to prevent rib flaring.


Focus:

Highlight the need for a light feeling on the fit ball to avoid sinking into the hip. Shoulder girdles should remain broad and open, facilitating fluid and coordinated movements.

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