Bridge in 5th Position

Junior
Adagio
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Attitude Devant Line
Junior | Adagio

Attitude Devant

Coordination Adage
Junior | Adagio

Coordination Adage

À la seconde alignment extension
Junior | Adagio

Alineación À la seconde - Extensión

Attitude Devant Extension
Junior | Adagio

Extensión de la Attitude Devant

Développé Extension
Junior | Adagio

Développé Extension

Breaking down développé devant
Junior | Adagio

Desglose del développé Devant

Rib alignment in à la seconde
Junior | Adagio

Alineación de costillas à la seconde

Foundation à la seconde
Junior | Adagio

Iniciación à la seconde

Arabesque
Junior | Adagio

Arabesque

Devant with Breath
Junior | Adagio

Devant with Breath

Arabesque Strength
Junior | Adagio

La fuerza en Arabesque

Arabesque activation
Junior | Adagio

Activación en Arabesque

Enhancing Adage
Junior | Adagio

Enhancing Adage

Refining the développé
Junior | Adagio

Refining the développé

Développé à la Seconde
Junior | Adagio

Développé à la seconde

Devant Combination
Junior | Adagio

Devant Combination

Adage Band Control
Junior | Adagio

Adage Band Control

Música utilizada

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Equipo Utilizado

Pelota de esferodinamia / Fitt Ball

Pelota de esferodinamia / Fitt Ball

This exercise prepares students for the développé devant. It establishing the proper alignment and control that will have students executing développé devant with precision and grace.


Preparation: Instruct students to start with their legs crossed on top a fit ball, . Students without hyperextension should place their heels on the centre of the fit ball cross the legs at the calf muscles. Students with hyperextended legs should place their legs further forward on the fit ball, so it supports the back of their legs. Position the palms of their hands upwards beside their body. It is a good idea for them to first practice squeezing something soft between their calf muscles as they bridge for them to achieve the feeling.


Steps:

1. Guide students to exhale, ensuring the rib cage is relaxed and their gaze is focused on the ceiling. The shoulder girdle should be relaxed and open on the mat.

2. Instruct them to bridge slowly, directing both hips towards the ceiling while inhaling, and exhale at the top of the bridge, ensuring spinal articulation.

3. Then, un-bridge slowly, unfolding through the vertebrae to return to the mat. Repeat this sequence three times.

4. Following this, instruct them to change legs, ensuring they stay centred on the fit ball, and repeat.


Focus: Emphasise relaxed rib cage, focused eyes, and open shoulder girdle. Ensure the hips are evenly lifted and the spine is articulated during the bridge.

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